American Painter, 1823-1890 Cousin of Edward Hicks. After being apprenticed (c. 1835-9) in the sign-painting shop of his cousin, he studied at the Pennsylvania Academy of the Fine Arts in Philadelphia (1839-40) and at the National Academy of Design in New York (1840-44). He then sketched and painted in England, Italy and France before becoming a student of Thomas Couture in Paris (1848-9). On his return to the USA in 1849, he established a studio in New York and quickly became a popular portrait painter, although his portrayals only rarely have enough psychological depth to make them of more than documentary interest. Hamilton Fish (1852; New York, City Hall) is among his stronger works. Hicks also painted genre subjects, such as Musicale: Barber Shop, Trenton Falls (1866; Raleigh, NC Mus. A.), and landscapes, the latter chiefly near Thornwood, his summer residence at Trenton Falls, NY.  Related Paintings of Hicks, Thomas :. | Portrait of Edward Hicks | Advocat Taylor with a View of Damascus | Henry Abbott | Taunuslandschaft | Das Konzert Barbierladen |
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Reginald Marsh
American Social Realist Painter, 1898-1954,American painter, printmaker and illustrator. He returned from France to the USA with his American parents, Fred Dana Marsh (1872-1961) and Alice Marsh, who were also artists, in 1900. In 1920 he graduated from Yale University, New Haven, CT, where he had been art editor and cartoonist for the Yale Record. He moved to New York and became staff artist for Vanity Fair and the New York Daily News. By 1923 he had begun painting scenes of street life in New York in oil and watercolour. His first one-man show was held at the Whitney Studio Club in 1924. In 1925 he joined the New Yorker, to which he contributed regularly until 1931.
El Lissitzky
Russian 1890-1941 He was an important figure of the Russian avant garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the former Soviet Union. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices that would go on to dominate 20th century graphic design. El Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarized with his edict, "das zielbewußte Schaffen" (goal-oriented creation). A Jew, he began his career illustrating Yiddish children's books in an effort to promote Jewish culture in Russia, a country that was undergoing massive change at the time and that had just repealed its anti-semitic laws. When only 15 he started teaching; a duty he would stay with for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art group UNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he took up a job as the Russian cultural ambassador to Weimar Germany, working with and influencing important figures of the Bauhaus and De Stijl movements during his stay. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works ?? a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany.
KONRAD von Soest
German painter (active between 1394 and 1422 in Westphalie).